You may
remember hearing some music that was new to you, and recognizing a common style
that revealed its composer as Beethoven or Bach or the Beatles. You may recognize a painting as Picasso’s or
Pollack’s. Cummings, Seuss, Grisham, Rawlings,
Not
surprisingly, the central claim of the Gospel is not some isolated event, but
is “vintage God” -- God’s common, creative style. That God raised Jesus from the dead is not
simply some wild tale from grief-stricken, hysterical women. It is not a cynical device of the early
church to keep its movement going in spite of the unplanned loss of its
leader. It is not just a poetic way to
describe his impact on us (his message or his memory “living on in our
hearts”). It is not just a mythical way
to describe the Platonic idea of a disembodied consciousness no longer here but
somehow present with God. Rather, the
central claim of Christianity, that Jesus rose from the dead bodily, was and is intended to be what
it appears to be at face value. It is the
claim that despite all expectations, Jesus literally and physically overcame
death. It is the claim that Jesus
actually lived again in physical, bodily, sensory ways. He could be seen, touched, heard. He bore wounds. He laughed.
He ate fish, of all
things! And this resurrection, upon
reflection, is God’s common, creative style.
Natural
fires occur on occasion in the forests of the west making it possible for the
Sequoia to grow and flourish.